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Modern-Day Siren‘s Song
| dc.contributor.author | Krantz, Brittany Nicole | |
| dc.date.accessioned | 2019-07-23T10:48:42Z | |
| dc.date.available | 2019-07-23T10:48:42Z | |
| dc.date.issued | 2016 | |
| dc.identifier.citation | Krantz, Brittany N. "Modern-Day Siren‘s Song." Sinestesieonline. A. 5, no. 18 (Dicembre 2016): 1-13 | it_IT |
| dc.identifier.issn | 2280-6849 | it_IT |
| dc.identifier.uri | http://sinestesieonline.it/wp-content/uploads/2018/03/dicembre2016-19.pdf | it_IT |
| dc.identifier.uri | http://elea.unisa.it:8080/xmlui/handle/10556/3662 | |
| dc.identifier.uri | http://dx.doi.org/10.14273/unisa-1892 | |
| dc.description.abstract | This short story is written considering some possibile, real declinations of the performing arts. An ambitious young woman named Jessie assumes the concurrent, yet seemingly-contradictory identities of academic intellectual by day and exotic dancer by night, driven by her struggles with the Madonna-Whore Complex and the assumptions that working in the field of sexual entertainment will quell her insecurities, and make her more desirable by increasing her sex appeal. Jessie‘s role as a racy entertainer boldly displays her sex appeal, but masks her potential as a desirable wife, subsequently creating an allusion to the Sirens of epic literature. | it_IT |
| dc.format.extent | P. 1-13 | it_IT |
| dc.language.iso | en | it_IT |
| dc.publisher | Avellino : Associazione culturale Internazionale Sinestesie | it_IT |
| dc.source | UniSa. Sistema Bibliotecario di Ateneo | it_IT |
| dc.subject | Performing arts | it_IT |
| dc.subject | Entertainment | it_IT |
| dc.subject | Madonna | it_IT |
| dc.subject | Whore complex | it_IT |
| dc.subject | Siren | it_IT |
| dc.title | Modern-Day Siren‘s Song | it_IT |
| dc.type | Journal Article | it_IT |
