| dc.contributor.author | McNeeley, Gale | |
| dc.date.accessioned | 2020-01-09T09:53:39Z | |
| dc.date.available | 2020-01-09T09:53:39Z | |
| dc.date.issued | 2019 | |
| dc.identifier.citation | McNeeley, Gale. Playing Commedia. Sinestesieonline, A. 8, no. 27 (Settembre 2019) : 31-32 | it_IT |
| dc.identifier.issn | 2280-6849 | it_IT |
| dc.identifier.uri | http://sinestesieonline.it/wp-content/uploads/2019/10/settembre2019-17.pdf | it_IT |
| dc.identifier.uri | http://elea.unisa.it:8080/xmlui/handle/10556/4062 | |
| dc.identifier.uri | http://dx.doi.org/10.14273/unisa-2279 | |
| dc.description.abstract | Commedia dell’Arte comes alive when played passionately by characters, as a sort of spiritual need. It is a spectacular dance of contrasts. In my 40 years of work as an actor, I have always discovered its delightful poetry, wisdom and liveliness. | it_IT |
| dc.format.extent | P. 31-32 | it_IT |
| dc.language.iso | en | it_IT |
| dc.publisher | Avellino : Associazione culturale Internazionale Sinestesie | it_IT |
| dc.source | UniSa. Sistema Bibliotecario di Ateneo | it_IT |
| dc.subject | Actor | it_IT |
| dc.subject | Commedia dell’Arte | it_IT |
| dc.subject | Mask | it_IT |
| dc.subject | Performing | it_IT |
| dc.title | Playing Commedia : [testimonianza personale d’attore] | it_IT |
| dc.type | Journal Article | it_IT |
